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PREVIOUS SEMINARS
The Art of Solo Performance - click here
Networking Techniques to Bring Social Media to Life - click here
Building Your Reel - click here
Lights, Camera, Taxes / Walter Gowens - click here
How to Get and Keep an Agent / Lisa Gold - click here
Fearless Cold Readings & Audition Technique / Karen Kohlhass - click here
Acting Success Now with Robert & Michelle Colt - click here
From Scratch to Script with Paula J. Riley - click here
Revolutionize You Career / The Savvy Actor - click here
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GRETCHEN CRYER met Nancy Ford, and the two forged a friendship that eventually lead to a number of professional collaborations as the only female composer-lyricist team in New York theater. Their first professional New York production was Now Is the Time For All Good Men (1967), followed by The Last Sweet Days of Isaac - with Austin Pendleton and Alice Playten - in 1970, winning not only rave reviews, but the Obie, Drama Desk and Outer Circle Awards. Cryer and Ford's most notable success was I'm Getting My Act Together And Taking It On The Road (1978), based on Cryer's life experiences. Gretchen not only co-wrote the piece, but performed in it as well. Producer Joseph Papp moved it from his Public Theater in lower Manhattan uptown to the Circle on the Square theater, where it ran for three years. Gretchen's additional work as a performer included roles in Little Me (1962), 110 in the Shade (1963) and 1776 (1969). A musical adaptation of Anne Of Green Gables written by Cryer and Ford opened in March 2007 at the Lucille Lortel Theatre in NYC, and a national tour began in September 2007. Their latest musical, Einstein and the Roosevelts, premiered at DePauw University in October of 2008.
Gretchen teaches "Writing For Solo Performance", an eight-week introductory class that will help you get your act together and take it on the road. |
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CHERYL KING is the creator and producing director of Stage Left Studio, in NYC, was resident acting coach at All My Children from 2007-2010, and is a playwright, director and actor. Her solo show "not a nice girl" enjoyed extended runs in NYC & Los Angeles. She is the curator of Sola Voce, Estrogenius, the Left Out Festival, The Women at Work Festival and the Mama Drama Festival. She directed Frank Blocker’s Drama Desk nominated “Southern Gothic Novel” and is currently directing Theresa Gambacorta’s new solo show and at work on a one-act called the Dubbers with TC Corwin, which will open in March 2011 at Stage Left Studio. Cheryl works with solo show creators on all aspects of the work and is available for an hourly fee to brainstorm ideas, craft the text, put the work on its feet, and get it produced. She even has a venue that’s perfect for solo shows. www.cherylkingproductions.com, www.stageleftstudio.net |
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KATHRYN ROSSETTER is an actress/ writer/ teacher/director.
Broadway: opposite Dustin Hoffman in Death Of a Salesman, Time Of The Cuckoo at Lincoln Center and many off Broadway Productions, Much television, including “Law & Order SVU” and “Full House” and many films, including, Death of a Salesman, Whatever, Speed 2. In Spring 2005 she received a Tennessee Williams Theatre Fellowship for developing and teaching the art and craft of the One-person show. She currently teaches acting in the MFA Program at the New School for Drama, where she is also the head of the department, NYU Tisch, Marymount Manhattan College and coaches privately in Manhattan. |
Free for TRU members. $15 for non-members.
Ripley Grier, 520 Eighth Avenue - 16O
4-5:30 - room opens at 3:30 for check-in
![]() Annie Chadwick, career consultant |
![]() Brette Goldstein, casting director, coach |
TRU/WEIST BARRON Weist-Barron Studios, |
![]() Jeremy Handelman, video producer |
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| One of the single most important weapons in an actor's arsenal is his or her demo reel. "How long should it be?" "What type of footage should I include?" "I have a great scene but it's poorly shot. Should I use it?" "I don't have enough footage for a reel. Should I shoot a scene or do a slate?" Three industry experts take you through the process of building your reel from a creative, technical and marketing perspective. You'll hear what casting directors look for, what footage works best, how to stand out from the crowd, what to expect from a video editor, the pitfalls to avoid, and how to best distribute your reel. The workshop will include: - Presentations by: • Annie Chadwick - actress, founder of Up To Date Theatricals, and career consultant • Brette Goldstein - casting director for film, commercials, industrials and theater; audition coach • Jeremy Handelman - commercial theater and video producer and founder of Wag That Reel - Examples of actual reels - Evaluation of attendees' reels (see below) - Q&A |
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• ANNIE CHADWICK is a professional actress, founder of Up-To-Date Theatricals, author of "ShowBiz Bookkeeper," a contributing editor for the “Show Business Directory,” in which she writes a monthly Showbiz Strategies column and a theatrical career consultant. In addition to her private one-on-one career consultation work for actors, Annie produces an ongoing business of acting workshop series for the Drama Book Shop. Her most recent performance work includes: Lead Singer with the popular bluegrass band, the NYCity Slickers; JETBLUE web spot with director Josh Nussbaum; CONFESSIONS OF A SHOPAHOLIC, playing John Lithgow's wife, Mrs. Edgar West; TURKEY BOWL, Indie Film with director James Malki, Twenty First Films. AEA, SAG & AFTRA |
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• BRETTE GOLDSTEIN - has cast over forty independent films, one hundred plays and was the resident casting director at Washington, DC’s Folger Elizabethan Theatre for ten seasons. Films Brette has cast have won awards and been official selections at Cannes, Sundance, Tribeca, LA Film Festival, Hamptons, Woodstock, Woods Hole, Clermont-Ferrand, DC Shorts, Philadelphia, Boston, Austin, Great Lakes, Sante Fe and the IFP Film Market to name just a few. Brette is the former Co-Producing Director of Washington Jewish Theatre, Production Manager at Washington Shakespeare Co., and Associate Producer of the Washington Theatre Festival. In addition to casting indie films, commercials and industrials, she coaches audition technique, as well as consulting actors on marketing and business management. Brette teaches acting/ audition technique in NYC and several universities. She has also be the on-set coach for several films and television shows |
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• JEREMY HANDELMAN is both a commercial theater and video producer. His video work includes “Wag That Reel,” providing professional actor demo reels at reasonable prices. Samples can be viewed at www.WagThatReel.com. Jeremy also is teaming up with casting director Brette Goldstein to provide custom actor reel consultations. Other video services include commercials, promos, PSA’s, video projection, and event coverage (www.OffTheLeashProductions.com). Jeremy’s most recent theater producing credits include (with Tuc Watkins, Peter Scolari, Betty Buckley and Christy Carlson Romano), and the award-winning rock musical comedy F#@king Up Everything (NYMF), which is being developed for commercial production. |
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LIGHTS, CAMERA ... TAXES
Walter Gowens, President FREE for TRU members, $25 for non-members |
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MEET THE COACHES
Sunday February 28th, 5pm to 9pm
at The Players Theatre, 115 Macdougal Street
Come meet 6 monolog coaches and 6 vocal/musical coaches and hear a little bit about them and how they work. Because the most important thing about a coach is the chemistry you have with them, and we want you to meet these guys and get the vibe. Then network, socialize with wine and refreshments. This event is FREE for all actors who have registered for the Annual TRU Combined Audition Event which will take place on April 4-5, and is specifically geared to prepare you for your audition. You'll be seen by over 40 theater companies and producers, and we want you to do your absolute best! CLICK HERE FOR FULL DETAILS AND LIST OF 2009 ATTENDING COACHES.
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