The writers loved it, the producers were impressed. So we're doing it again!
Here's a chance to pitch your work to a roomful of serious producers ...
TRU Writer-Producer Speed Date
(The Art of the Pitch)
No, it's not really a "date." It's a quick way to meet over a dozen producers -
from beginner to Broadway level -
and practice your pitching skills.
(No, we're not talkin' baseball.)
Sunday February 21st, 5:30pm to 8:30pm
The Players Theatre, 115 MacDougal Street, 3rd floor
APPLICATIONS ARE BEING ACCEPTED FOR THE NEXT SPEED DATE, IN MAY
Click here for the application in Word format.
Click here for application as a PDF.
Email application to TRUnltd@aol.com
Evening limited to 22 writers.
"The Speed Date was a terrific experience and once I relaxed into the rhythm and sense of it, I enjoyed myself a lot, which was a surprise.
I will recommend this to other of my writing friends - I think they will really benefit from it." ~
Rebecca Ortese
"I wanted to say thank you for a terrific experience. I learned a lot and enjoyed meeting the producers. They were lovely, patient, and interested. The best thing for me was I learned what I didn't know. I was able to practice pitching, which was great. So, thank you. I just wrote all the writers in my theatre co (Aching Dogs Theatre) and told them they should do it.
And the reception was lovely, too." ~Pamela Scott
"You did a magnificent job on the speed date. It was an awesome experience and I really appreciate being part of it.." ~
Dorothy Marcic
"I just wanted to let you know once again how much I enjoyed the speed date Sunday night. As you promised, I really had my pitch down pat by the end of the evening. I can now pitch to anyone at anytime." ~Kathy Kafer
"Thank you so much for the great Speed Date evening. It was a blast and such a great opportunity to meet with the producers. They were incredibly open and gracious and it meant a lot to all of us nervous first-time "daters." The experience of pitching in that format was really helpful in getting across what our story was in a short, concise manner, finding a way to convey it passionately, and making sure our intentions were clear. Thanks, also, to our coach Karen. She was amazing and cut and slashed away at our long, drawn out speeches.... Your efforts on behalf of writers and producers are greatly appreciated." ~Marylee Martin, writer
"Speaking as an out-of-town playwright I have to tell you that TRU’s writer/producer speed date program accomplished as much for me in one evening as I accomplish in a year of blind script submissions. The quality of the people participating – playwrights and producers -- was impressive and the program’s format of structured four-minute sessions with each producer was a godsend for me. Frankly, I’m a hopeless klutz at parties and other social situations where meetings with producers might happen casually or spontaneously, so when you created this concept of a concentrated four minutes devoted exclusively to the play and the producer, you liberated me from all those social bonding rituals at which I’m so awful. And I came away with the sense that, however brief it was, my plays finally got the stage I’ve hoped they would receive. I hope that, if you have more writer/producer speed dates, I can participate again." ~Sean O’Leary, writer
"Thank you so much for this experience. As you well know we writers spend so much in our own little think tanks and the opportunity to meet so many interesting people - not even to mention the chance of having our work read, exposing ourselves to not just one but 22 producers is just invaluable! Everyone was kind, friendly and very positive - what a great energy in that building! On a personal note, I've always been intimidated by the verbal pitch (my brain freezes - now what was my play about?) so last night for me was a personal triumph. In short - what you've done is awesome." ~Michele Aldin-Kushner, writer
"Thank you for making tonight happen and giving me an opportunity to meet so many accomplished producers. A special tip of the hat to Jane whose coaching session was so helpful. I think my pitch was strong - so much stronger than it would have been - and that's the important thing." ~John Doble
"Thanks for a fabulous "Speed Dating" event. I think the most helpful part of it was to get my collaborator, Wayne Barker, and I on the same page about exactly how to pitch our show and what to highlight when we talk about it together. Jane, our coach, was amazingly helpful and calming. By the end of the pitching hour, I was exhausted but enthused by the response to our pitch. You organized a great event and both Wayne and I look forward to participating in more TRU events in the future." ~Donna Kaz and Wayne Barker
"The producers were all engaging and supportive, and asked very concrete questions about cast and orchestra size, marketing opportunities, who's the audience, what other shows are like our show. As we worked our away around the circle, the pitch got more and more clear and concrete. Great fun - do it if you can!" ~Mark Sutton-Smith
"It was quite an amazing experience and quite helpful to the playwright. It is wonderful that there is an organization like TRU seeking to forward the interests of creative artists and the producers who bring their work to the stage." ~Marshall Tarley
"Speed Dating was very powerful for me. My learning and the powerful engagement with the producers helped me a great deal. While I would have loved sending the full script off to one of the producers, their excellent questions (each producer different by the way!) were so helpful. And their 'getting it' right away was also encouraging. And when something catches someone, then I will be less an outsider for having met these amazing people. Thank you thank you!" ~Mickey Bolmer
"I thought the speed date was one of the best learning experiences I have ever had." ~ Toni Hart
Sunday evening February 21st at 5:30 and 6:30pm.
The Players Theatre, 115 Macdougal Street (below West 3rd)
Scheduled producers include:
Apples & Oranges Productions/Jacob Matsumiya & Rachel Vigier - Broadway (Hair, Memphis)
Paul Adams - artistic director Emerging Artists Theatre
Sharon Carr - Broadway (Burn the Floor), off-Broadway producer
(I Love You Because, Masked)
Hillary Cutter - off-Broadway producer (Rooms)
George DeMarco - At Long Last Productions, fringe producer
Jeremy Handelman - off-Broadway, fringe producer
Michael Leland - independent producer/director with Nuyorican Poets Cafe
Stephan Morrow - Artistic Director, The Great American Play Series
Michael Nassar - Showtime, Angel Hair w/Lobster new play development
Eva Price - Maximum Entertainment (Wishful Drinking, How the Grinch... , The Addams Family)
Ken Waissman - Broadway (Grease, Torch Song Trilogy)
Click here for producer bios.
Click here for the application in Word format (preferred).
Click here for application as a PDF.
Submissions for 9/13 now closed, but you may apply early for the next Speed Date:
February 21st.
You meet a producer at a party, and have two minutes to interest them in your work. Do you have the skill to sell yourself?
Here's a chance to practice your pitching with real producers who are open to and looking for new work. Okay, they probably won't option you on the spot, but you'll meet them and have the opportunity to start developing a relationship. And that's what this business is all about. We'll have eleven producers lined up, from both the commercial and not-for-profit worlds, all with an interest in new projects; we also have eleven aspiring producers from our mentorship program. So you'll be pitching to 22 producers in total!
Come with a willingness to learn, because the real value is the chance to practice your pitching. And you'll be getting invaluable coaching from experts, as well. And did we mention the wine and cheese afterwards? Click here to meet the producers.
ABOUT SPEED DATING. How does it work? 11 writers will arrive at 5:30, and we have two coaches coming who will coach the writers on their presentations. Then at 6:30, they go into the Pitch Room to meet the producers - one at each of the stations. We ring a bell, writers have two minutes to pitch. We ring a second bell, producers have two minutes to respond and ask questions, or give feedback. Writers bring a packet with a synopsis, bio, cast breakdown and production requirements to leave with each of the producers. If the project interests the producer, he may request that you send a full script.
Meanwhile, group two is in the Coaching Room getting coached for an hour starting at 6:30. Second group goes into the Pitch Room at 7:30. We estimate that pitches and turnaround should take about 50 minutes total for all eleven. We will have wine and cheese afterwards, so although the pitch sessions will end at around 8:20, we hope writers and producers will stay and chat informally until 9pm or so.
Yikes! Eleven writers pitching to eleven producers at one time? Think of it as the "cocktail party" pitch where you have to hold someone's interest with dozens of conversations going on around you. A little chaotic perhaps, but true to life.
WHAT YOU SHOULD BRING: A one-page (maximum) synopsis, a one-page writer/theater resume or bio, production history (including reviews), set and cast breakdown. You will need 22 sets, one for each of the producers. Make them nice - it's part of that all-important first impression.
ABOUT THE COACHES: we are bringing in two professional coaches to work with each writer on vocal technique, presentation skills and content. Click here to read about Roy Havrilack of Skytown Entertainment and Danna Call, Playwright/Actor/Communication Skills Coach for
Dramatists Play Service.
NOT EVERYONE WILL BE ACCEPTED. We will judge your application based on the viability of the project, your experience as a writer and the specific interests of the participating producers. If accepted into the program, the cost is $50 for TRU members and $75 for non-members (and yes, you can always join as a member to qualify for the discount).
Click here for the application in Word format.
Click here for application as a PDF.
Email application to TRUnltd@aol.com
Evening limited to 22 writers.
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THE PRODUCERS - lineup (as of 2/3)
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PAUL ADAMS Artistic Director and Founder of Emerging Artists
Theatre Company for 17 years. Directing credits for EAT are Real
Danger, Layout, My Sister the Cow, Hard Hearted Hannah, and Counter
Girls. Playwright credits - Two Minutes, Sleeping Beauty. Acting on and off for the
past 15 years at numerous Theatre Row theatres. Serves as Founding
board member for the New York Innovative Theatre Awards celebrating
Off Off Broadway work and the Steering Committee for the newly founded
League of Independent Theatre. He is currently working towards a
permanent home for Emerging Artists who received its first Drama Desk
nomination and was voted Best Off Off Broadway Theatre
Company in NY by Backstage Magazine. |
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APPLES AND ORANGES PRODUCTIONS - Founded in 2008, Apples and Oranges Productions mixes practices and resources drawn from technology, business and the arts to create and develop film, television and theatrical productions with compelling stories and high production values. Apples and Oranges made its first foray onto Broadway as associate producers of the Tony Award-winning Broadway revival of HAIR. We followed this closely as lead producers of the new Broadway musical MEMPHIS, for which we provided all of the B-Roll, commercial, and online content. This May, Apples and Oranges will serve as lead producers on PARADISE FOUND, a new musical co-directed by Harold Prince and Susan Stroman, which will have its world premiere at the Menier Chocolate Factory in London before transferring to Broadway.
Jacob Matsumiya is an Associate with Apples and Oranges Productions who is closely involved in the day-to-day operations of all the organization’s theatrical holdings. He is also responsible for finding and developing new works for the organization to produce.
Rachel Vigier is an operational and creative consultant for Apples and Oranges Productions.
Apples and Oranges Productions is a bi-coastal company with offices in New York and Southern California. To learn more visit our Web site: www.nyc-oc.com |
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SHARON CARR - After a 29-year stint in a Wall Street related business, Sharon began her producing career in January 2006. Off-Broadway credits include I Love You Because (February 2006) and Masked (July 2007). She joined GFour Productions as an independent Associate Producer on Respect: A Musical Journey of Women in Cleveland (September 2006), Boston (October 2006) and Atlanta (March 2007); as well as the Minneapolis production of Menopause The Musical (May 2007+). She's also earned credits as a Producing Associate on Broadway with How the Grinch Stole Christmas (Holiday 2006, 2007 & 2008) and Legally Blonde (April 2007). She participated in both the Toronto & US productions of Dirty Dancing and the recent revival of American Buffalo on Broadway. She was the lead producer of the hit comedy Glimpses of the Moon in the Oak Room of the Algonquin Hotel and is currently an Associate Producer on Burn the Floor (Broadway) and the National Tour of Little House On the Prairie. Future projects include Idaho! The Comedy Musical Love Story, Deep Throat: The Sex Scandal opening Winter 2010; Inventing Avi Aviv at the Abingdown Theatre in October and the Broadway production of Stormy Weather (Winter 2010). |
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HILLARY CUTTER is the Co-Founder and Co-Producer of Van Hill Entertainment. Van Hill recently presented Rooms a rock romance Off-Broadway (Dir. by Scott Schwartz and featuring Leslie Kritzer & Doug Kreeger). Rooms was nominated for 3 Outer Critics Circle Awards: Outstanding Off-Broadway Musical, Outstanding New Score, and Outstanding Actress in a Musical. Time Life Records & multiple Grammy® nominee Robert Sher recorded the Rooms Off-Broadway Original Cast Album. Van Hill presented the World Premiere of ROOMS (Nominated for 5 Helen Hayes Awards) as a co-production between MetroStage and Geva Theatre Center. Other Van Hill theatrical credits include Saint Heaven (www.saintheaven.com) and Alive in the World (www.aliveintheworld.com). Cutter is also a TV/Film producer and has produced original programming, commercials, promos, and interactive campaigns for networks and agencies such as ESPN, HGTV, Nickelodeon, Grey Advertising, JWT, McCann Erickson, and Ogilvy & Mather. Cutter’s most recent Television credits include the NYC Unit Production of Degrassi: The Next Generation (the highest-rated show on Teen Nick) and the MTV documentary special, If I Were King, celebrating the 10th Anniversary of P. Diddy’s Sean John Fashion Line. |
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GEORGE DeMARCO (Producer) co-produced Bargains and Blood at the 2009 Fringe Festival, The Tragic and Horrible Life of the Singing Nun at the 2006 New York Musical Theater Festival and has been involved in the New York theatre scene for almost 20 years. He produced the New York premiere of the Olivier Award winning Burning Blue starring Chad Lowe and co-produced the highly acclaimed New York productions of the comedy, The Tragic and Horrible Life of the Singing Nun (upon which the musical is based) as well as the one man multi-media play, This Is a Test. He served as General Manager for Twilight of the Golds and When the Bough Breaks for New Voices Theater Ensemble; a not-for-profit theatre company that produced issue oriented work. While a company member of the American Globe Theater, he helped establish their first Board of Directors, served as Treasurer for two years and was on the production team for Bus Stop, Picnic, Hot L Baltimore, On the Verge and A Midsummer Night’s Dream. He is a proud graduate of the Commercial Theater Institute. |
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JEREMY HANDELMAN (Off the Leash Productions) has produced and managed many New York productions including the award-winning F#@king Up Everything (NYMF), Assholes & Aureoles, The Bronx Balmers, CYCLE: A Vaudeville Comedy, The Aspern Papers, Scapin, Five by Tenn, Fritz & Froyim, and The ARTC Spring Reading Series. He is the author of The Bronx Balmers, Tic-Tac-Toe and numerous short plays. Jeremy is the founder of Off The Leash Productions, where he also produces and edits video commercials, promos, events and actor reels. He is a proud board member of TRU, in the TRU Producer Mentorship Program, and a member of the American Renaissance Theater Company, where he also serves as Outreach Coordinator. In a previous life as a television executive he was Vice President, Programming for CBS Sports. Current development: F#@king Up Everything and Seriously Trivial People. Upcoming: White's Lies at New World Stages this spring.
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MICHAEL LELAND has worked as an actor, singer, writer, theater educator, producer, choreographer and director in New York City and in his hometown of Philadelphia for over fifteen years. Mr. LeLand has produced over forty theatrical productions and ran Theatre Double’s two-theatre complex on Walnut Street in Philadelphia for four years Mr. LeLand has helped developed a dozen new plays that have received professional productions, including Langston Hughes: An American Celebration, Theatre Double’s Just The Boys, Theatre Double’s Jason and Medea, Theatre Double's . . .And The Sky Can Still Fall on Our Heads, Slipping by Yvonne Delet, Gypsy Wagon by Ed Shockley. He also developed and wrote lyrics for the full length children’s musicals The Witch and the Magic Mountain, Nsume Namlou: The Stories of My People, Magic Bookshop: The Snow Queen and The Magic Bookshop Inside the World of Jack and the Beanstalk. Mr. LeLand helped create Just the Boys, a Theatre Double collaboration published by Simon and Schuster in Action: the Nuyorican Poet’s Café Theatre Festival. Portions of his production, The Witch and the Magic Mountain, produced by Freedom Theatre, were performed at the Barrymore Awards and for former Mayor of Philadelphia, Edward Rendell.
In April 1998, Lincoln Center Theatre named Mr. LeLand to the Directors Lab. He was also one of only twelve directors selected by the Lincoln Center Directors’ Lab to be showcased at Here Center for Contemporary Arts in the American Living Room Series. Mr. LeLand had the honor of directed Pulitzer Prize, Tony Award Winner, and Academy Award nominee Jason Miller in his one man play Barrymore’s Ghost.
"Small cast quirky plays. Similar to work on Showtime and HBO." |
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MICHAEL NASSAR currently serves as a line producer at Showtime,
working on the television shows Nurse Jackie, Dexter, Californication,
Weeds, The Tudors and The United States of Tara, as well as the
upcoming series Episodes and Shameless. Prior to moving into television, he founded Angel Hair w/Lobster, LLC,
an organization dedicated to merging the sensibilities of the
non-profit and commercial worlds towards bringing new theatrical works
to a wide, diverse audience. Projects included: The Last Seder by
Jen Maisel for the Humana Festival, Nalsey Tinberg’s Cakewalk for
Manhattan Theatre Club, David Simpatico’s Waiter, Waiter (NY
International Fringe Festival, Joe’s Pub@The Public Theater); Delaney
Takes the Train (Edinburgh Festival); The Tutor (three time winner of
the American Academy’s Richard Rodgers Award); and The Screams of
Kitty Genovese (NAMT).
Previously Michael served as Associate Artistic Director of the
National Music Theater Conference at the O’Neill Center for six and
1/2 years, aiding and abetting the development of more than thirty new
music theater works. Included: 2004 Tony
Award winning Best Musical Avenue Q; Maryrose Wood and Andrew Gerle’s
Richard Rodgers Award winner, The Tutor; Maltby/Shire’s newest, with
Marsha Norman, Take Flight; David Simpatico and Will Todd’s The
Screams of Kitty Genovese; Kirsten Childs’ The Bubbly Black Girl Sheds
Her Chameleon Skin; Stuart Ross, Ira Gasman, Debra Barsha and Joey
McKneely’s Radiant Baby; Andrew Lippa’s The Wild Party; Ed Dixon’s
Richard Cory; Joe Masteroff and Howard Marren’s Paramour; Stuart Ross
and Mark Hampton’s The Boswell Sisters among many others. He has served on distinguished panels for The American Academy of Arts
and Letter, The Dramatist’s Guild, ASCAP/Disney, and Theatre Resources
Unlimited.
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EVA PRICE of Maximum Entertainment made her Off-Broadway debut producing Joy (Actor's Playhouse). She is one of the producers of Carrie Fisher's Wishful Drinking and the upcoming The Addams Family musical. Recent Off-Broadway credits include The J.A.P Show (Off-Broadway), Marga Gomez's solo critically acclaimed show, Los Big Names (Outer Critic's Circle and Drama Desk Nomination), and All is Love (NYMF), The Great American Trailer Park Musical (Off-Broadway), Dr. Seuss’ How The Grinch Stole Christmas (Broadway), Private Jokes, Public Places (London); and The Great American Trailer Park Musical national tour (Winter 2007). For five years Eva worked as an assignment editor and coordinating producer for special projects at ABC News, spending her last year producing and reporting on stories relating to Broadway for ABCNEWS.COM.
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STEPHAN MORROW is an actor/director and producer who has been laboring in the trenches of non-commercial theater in New York and Los Angeles for over twenty years. A staunch proponent of the Off Off Bway arena, it is in that cauldron of creativity that he finds the work to be most compelling and interesting. He came to this calling after surviving a two year global pilgrimage that took him overland from Istanbul to India and then on through Asia.
He has worked closely with playwrights Mario Fratti, Leonard Melfi, John Ford Noonan, Arthur Miller and Norman Mailer among others. As the founder of The Great American Play Series, which features powerful performances by seasoned professionals in ‘performances on book’ of American classics he has directed : The Crucible (set in the White House during President Clinton’s impeachment trial), After the Fall (with Rebecca De Mornay, Sally Kirkland, Mark Rydell), The Price (Barry Primus, Lyle Kessler, Judith Light, Paul Mazursky.) Incident at Vichy (four presentations with casts that included F. Murray Abraham, Richard Dreyfuss, Fritz Weaver, Austin Pendleton), Camino Real by Tenn. Williams (with Betsy Von Furstenberg and set in Afghanistan), A Bright Room Called Day by Tony Kushner (Judith Malina and Angelica Torn).
In addition to working with Norman Mailer on two plays (Strawhead - Marilyn, a memory play at The Actor’s Studio in N.Y., and The Deer Park at the Makor/Steinhardt Center of the 92nd St. Y) he also acted in his feature film (Tough Guys Don’t Dance). His most notable efforts have also included working with Arthur Miller who gave him his personal blessing over a three year period to bring his play Incident at Vichy to a major venue after attending the first ‘performance on book’ of the play.
"I guess you could describe my sensibility as one that is drawn to poetic dramas laced with some humor and that have a political or philosophical bent." |
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KEN WAISSMAN is a Tony Award-winning theatre producer. Waissman's first Broadway credit was the 1971 Paul Zindel play And Miss Reardon Drinks a Little with Estelle Parsons and Julie Harris. The following year, while he and partner Maxine Fox were in Chicago, they attended Grease, a popular local play about high school life in the 1950s being performed at the Kingston Mines Theater in the Old Town section of the city. The two thought it would work better as a musical and encouraged its writers, Jim Jacobs and Warren Casey, to relocate to New York City and embellish it with a score. The result was Grease, which Waissman and Fox mounted off-Broadway before transferring it uptown. It garnered him his first Tony nomination. He was nominated again for Over Here!; the third time proved to be the charm when he won not only a Tony but a Drama Desk Award as well for Torch Song Trilogy. Other credits include Agnes of God, The Octette Bridge Club. Asinamali!, Carrie - The Musical and Street Corner Symphony.
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THE COACHES
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DANNA CALL, Playwright/Actor/Communication Skills Coach for
Dramatists Play Service. Danna is a playwright, producer and performer with over 15 years of experience in theatre and film. She co-produced, wrote and performed with eX’s & Oh’s productions and PACT Theatre Company, as well as being a company member of Carousel Theatre Company.
Her plays I’ve Hit an Iceberg and Safety First were produced by Manhattan Theater Source’s Estrogenius Festival and are published in their anthologies. I’ve Hit an Iceberg is also published by Dramatic Publishing. Her play Issues was produced by PACT.
Danna wrote, produced and performed the one-woman shows Carole Lombard: Reel Life, Off Her Axis and Spreading the Good Word of Cheese at Carousel Theatre, Don’t Tell Mama and Trilogy Theatre.
Her short, comedic screenplay, Finding a Match, was produced by SkyTown Entertainment and was a participant in the 2008 Big Apple Film Festival. Danna is also an in-house writer for SkyTown Entertainment.
She presently holds a position at Dramatists Play Service in nonprofessional licensing and has worked with BusinessTalk, Inc. coaching lawyers in communication and presentational skills.
Danna holds a B.A. in Theatre Arts from Emerson College. |
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ROY HAVRILACK has been training attorneys and executives in presentation, marketing and management skills for several years. He has taught and coached attorneys and partners at top law firms including Sullivan & Cromwell, Milbank Tweed, Gibson Dunn & Crutcher, Brown Rudnick, Allen & Overy, Shearman & Sterling, and White & Case. He has also worked extensively with senior executives at leading financial institutions such as Merrill Lynch and Deutsche Bank. Other clients include Avon Products, Inc. and Gemini Systems.
Roy has worked as a Client Services Manager for BusinessTalk, Inc., a training consultancy whose clients include Microsoft Corporation and leading accounting firms. Roy is co-president of SkyTown Entertainment, LLC, a video and film production company that produces corporate sales and industrial videos, as well as short and feature-length films. In addition to his experience as a trainer, Roy is also an actor in NYC. He starred in the award-winning independent film, “Say That You Love Me”, and was a recurring character on “One Life To Live”.
Roy holds a BA in Theatre Arts from Oneonta State University. |
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